When Lisa Laurén gets a request for an animal costume head, she said, “it’s kind of like I’m going on a play date.”
Using her imagination, resources and hands, Laurén crafts animal heads that are vivid, colorful and eye-catching.
“I’m trying to condense somebody else’s dream and make it into something,” Laurén said from the kitchen of her high-ceilinged apartment on a leafy street near the Spree River in Berlin. A clay fox head covered tightly with foil stood on a large tray, awaiting its next phase of creation.
The animal heads are an offshoot of Laurén’s main job as a freelance textile artist, a role that includes painting backdrops for staged productions and helping develop costumes for television, film and theater. She has worked for an array of clients including Netflix, Apple TV+, the Metropolitan Opera in New York, the Tate Museum in London, and the Museo Nacional Centro de Arte Reina Sofía in Madrid.
Laurén has been making animal costume heads for theater, opera and artistic performances since 2011, when the Komische Oper Berlin commissioned her and a close collaborator, Benjamin Tyrrell, to make a set for a staging of Leos Janacek’s 1923 opera, “The Cunning Little Vixen,” in which many characters are forest animals.
